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作為攝影師兼導(dǎo)演的Tara Fallaux曾在荷蘭和美國(guó)多所藝術(shù)學(xué)校學(xué)習(xí)電影與攝影。從匹茲堡的卡耐基梅隆大學(xué)畢業(yè)后，Tara開始了她在紐約的肖像和紀(jì)錄片攝影師職業(yè)生涯。在過去的15年中，塔拉一直擔(dān)任自由職業(yè)攝影師，將個(gè)人攝影、電影項(xiàng)目與商業(yè)作品相結(jié)合。



Photographer and director Tara Fallaux studied Film and Photography at various art schools in The Netherlands and the US. Once graduating from Carnegie Mellon University in Pittsburgh, Tara kicked off her career as a portrait and documentary photographer in New York. For the past 15-years, Tara has worked as a freelance photographer combining personal photography and film projects with commercial work.



這幾年，她曾執(zhí)導(dǎo)過多部紀(jì)錄片，包括“飛躍彩虹”和“摩天輪小子路易斯”。她最新的紀(jì)錄片“情書”講述的是手寫情書這一幾乎消失的媒介，電影在2017阿姆斯特丹國(guó)際紀(jì)錄片節(jié)的比賽中作為荷蘭唯一的代表影片參與了國(guó)際首映禮。



During these years, she has directed various documentary films including ‘Over the Rainbow’ and ‘Louis the Ferriswheel Kid’. Her most recent documentary ‘Love Letters’, a film about the nearly vanished medium of the handwritten love letter, had its international premiere at IDFA 2017 as the only NL representative in the competition.



對(duì)于Tara而言，攝影和電影提供了一個(gè)平臺(tái)，她從中探索她對(duì)日常境遇的好奇心。她對(duì)人們的生命力和命運(yùn)很感興趣，這成了她的動(dòng)力，她作品的一大關(guān)注點(diǎn)是調(diào)查我們感知和塑造周遭世界的方式。這種開放的，以人為本的方法是Tara個(gè)人項(xiàng)目和委任作品之間的共通之處。無(wú)論她是受到委任抑或?yàn)樽约旱淖髌芳臄z照片和電影，她的動(dòng)力都是講故事，講那些能激勵(lì)并挑戰(zhàn)他人的故事。



For Tara, photography and film provide a platform from which to explore her curiosity regarding everyday encounters. Interested and driven by people’s vitality and fate, a big focus point for her work is to investigate the way in which we perceive and shape the world around us. This open and human-centered approach is the common ground between Tara’s personal projects and commissioned work. Whether she is photographing and filming on assignment or for her personal portfolio, her drive is to tell stories that inspire and challenges people.

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